30 Lieblingsfilme
Stefan Dabrock
In
der Reihenfolge des gedanklichen Erscheinens:
Tenebre
(Dario Argento; 1982)
Scarlet Diva (Asia Argento; 2000)
Once upon a Time in America (Sergio
Leone;1984)
Pale Rider (Clint
Eastwood;1985)
Keoma
(Enzo G. Castellari;1976)
Chuugoku no chôjin (Takashi Miike; 1998)
Tokyo nagaremono (Seijun Suzuki;1966)
Assault on Precinct 13 (John
Carpenter;1976)
Carlito’s Way (Brian De
Palma;1993)
Rebecca (Alfred Hitchcock;
1940)
The Naked Spur (Anthony
Mann;1953)
I Tre volti della Paura (Mario Bava;1963)
Aguirre,
der Zorn Gottes (Werner
Herzog;1972)
White Heat (Raoul Walsh;1949)
Dawn of the Dead (George A.
Romero;1978)
James Spader und
Debra Kara Unger in Crash
(Alliance)
King of New York (Abel
Ferrara;1990)
Le Doulos
(Jean-Pierre
Melville;1961)
The Monolith Monsters (John
Sherman;1957)
Strange Days (Kathryn Bigelow;
1995)
Crash (David Cronenberg;
1996)
The Big Sleep (Howard Hawks;1946)
It Happened One Night (Frank Capra; 1934)
White Dog (Samuel Fuller;
1982)
Saang gong kei bing (Johnny Mak; 1984)
Chan Sam Ying Hung (Johnnie To; 1998)
Dip bin (Tsui Hark; 1979)
Sin lui yau wan (Ching Siu-Tung; 1987)
Diexue shuang xiong (John Woo; 1989)
Freaks (Tod Browning;
1932)
Don’t Look Now (Nicolas Roeg; 1973)
John Demetry
These
are my 30 favorite films released before my birth (October 9, 1977).
Notes:
One
film per director.
* -
Signifies one of the Ten Greatest of All Time
** -
My fave
*Chronologische
Ordnung*
Intolerance (D.W. Griffith,
1916)
Napoleon (Abel Gance, 1927)
Seventh
Heaven (Frank
Borzage, 1927)
Sunrise (F.W. Murnau,
1927)
The
Passion of Joan of Arc (Carl Theodor Dreyer, 1928)
Spione (Fritz Lang, 1928)
Zemlya
/ Earth (Aleksandr
Dovzhenko, 1930)
City
Lights (Charles
Chaplin, 1931)
Trouble
In Paradise
(Ernst Lubitsch, 1932)
*Une partie de
champagne (Jean Renoir, 1936)
Bringing
Up Baby (Howard
Hawks, 1938)
Gone
with the Wind
(Victor Fleming, 1939)
How
Green Was My Valley (John Ford, 1941)
**The Shanghai Gesture (Josef von Sternberg, 1942)
*The
Magnificent Ambersons (Orson Welles, 1942)
Poppy makes a drunken entrance at Mother
Gin Sling's New Year's party in The Shanghai Gesture.
( Image Entertainment.)
Miracle
at Morgan's Creek
(Preston Sturges, 1944)
Sciuscià (Vittorio De Sica, 1946)
Kumonosu-jo
(Akira Kurosawa,
1957)
Gigi (Vincente Minnelli,
1958)
Imitation
of Life (Douglas
Sirk, 1959)
*Apur
sansa (Satyajit
Ray, 1959)
L'avventura (Michelangelo Antonioni,
1960)
Lola (Jacques Demy, 1961)
*Jules
and Jim
(Francois Truffaut, 1962)
*Lawrence
of Arabia (David
Lean, 1962)
Masculin-Feminin (Jean-Luc Godard, 1966)
The
Last Picture Show
(Peter Bogdanovich, 1971)
*Last
Tango In Paris
(Bernardo Bertolucci, 1973)
The
Godfather Part II
(Francis Ford Coppola, 1974)
*Nashville (Robert Altman, 1975)
Eckhard Haschen
Chronologische
Folge
Seventh
Heaven (Frank
Borzage; 1928)
Trouble in
Paradise (Ernst
Lubitsch; 1932)
Une partie
de campagne (Jean
Renoir; 1936)
The
Roaring Twenties
(Raoul Walsh; 1939)
How
Green Was My Valley (John Ford; 1941)
The
Lady Eve
(Preston Sturges; 1941)
Laura (Otto Preminger; 1944)
Opfergang (Veit Harlan; 1944)
Les Dames
du Bois de Boulogne (Robert
Bresson; 1945)
Scarlet
Street (Fritz
Lang; 1945)
Out
of the Past
(Jacques Tourneur, 1947)
The
Fountainhead
(King Vidor; 1949)
In a
Lonely Place
(Nicholas Ray; 1950)
Ugetsu
monogatari
(Kenji Mizoguchi; 1953)
Viaggio in
Italia
(Roberto Rossellini; 1953)
Gene Tierney in Laura (20th Century Fox)
Lola Montez (Max Ophüls; 1955)
Funny
Face
(Donen; 1957)
Some
Came Running
(Vincente Minnelli; 1958)
Vertigo (Alfred Hitchcock;
1958)
Rio
Bravo (Howard
Hawks; 1959)
Peeping
Tom
(Michael Powell; 1960)
À bout de
souffle
(Jean-Luc Godard; 1960)
Sanma no
aji
(Yasujiro Ozu; 1962)
Gertrud (Carl Theodor
Dreyer; 1964)
Les
parapluies de Cherbourg (Jacques Demy; 1964)
Céline et
Julie
vont en bateau
(Jacques Rivette; 1974)
Novecento (Bernado Bertolucci,
1976)
Les nuits
de la pleine lune
(Eric Rohmer; 1984)
Love Me (Laetitia Masson; 2000)
Femme
Fatale
(Brian De Palma; 2002)
Thomas Klarmeyer
Chronologische Folge
Broken Blossoms (D.W. Griffith, 1919)
The Wedding March (Erich von Stroheim, 1928)
Seishun no yume imaizuko (Yasujiro
Ozu, 1932)
Three Comrades (Frank Borzage,
1938)
They Died with Their Boots On (Raoul Walsh,
1940)
Genroku chushingura (Kenji Mizoguchi,
1941)
Opfergang
(Veit Harlan,1944)
Meet Me in St. Louis (Vincente
Minnelli, 1944)
The Red Shoes (Michael Powell
& Emeric Pressburger; 1948)
The River (Jean Renoir, 1951)
Across the Wide Missouri (Willian Wellman,
1951)
Jet Pilot (Josef
von Sternberg, 1951)
The Big Sky (Howard Hawks,
1952)
Nogiku no gotoki kimi
nariki
(Keisuke Kinoshita, 1955)
Ordet (Carl Theodor
Dreyer,1955)
Garry Sinise (l.) und Tim
Robbins in Mission to Mars (Buena Vista)
Love Is a Many-Splendored
Thing (Henry
King, 1955)
War and Peace (King Vidor, 1956)
Seven Men from Now (Butt Boetticher,
1956)
Pyaasa (Guru Dutt, 1957)
A Time to Love and a Time to
Die
(Douglas Sirk, 1958)
Viva l'Italia! (Roberto Rossellini,
1960)
55 Days at Peking (Nicholas Ray,
1963)
Scorpio Rising (Kenneth Anger, 1964)
Les parapluies de Cherbourg (Jacques Demy; 1964)
Yukoku (Yukio Mishima, 1965)
Seven Women (John Ford, 1966)
Céline et
Julie vont en bateau
(Jacques Rivette; 1974)
Big Wednesday (John Milius,
1978)
Die Sonnengöttin (Rudolf Thome, 1993)
Mission to Mars (Brian de Palma, 2000)
Michael
Kohler
Chronologische
Folge
Sunrise (Friedrich Wilhelm Murnau, 1927)
The
Crowd (King
Vidor, 1928)
Duck Soup (Leo McCarey, 1933)
Bluebeard's Eighth Wife (Ernst Lubitsch, 1938)
Bringing up Baby (Howard Hawks, 1938)
The Great McGinty (Preston Sturges, 1940)
It's a Wonderful Life (Frank Capra, 1946)
Film ohne Titel (Rudolf Jugert, 1948)
Letter from an Unknown Woman (Max Ophüls, 1948)
The Belle of New York (Charles Walters, 1952)
Singin' in the Rain (Stanley Donen & Gene Kelly, 1952)
It Should Happen to You (George Cukor, 1954)
North by Northwest (Alfred Hitchcock, 1959)
The Grass is Greener (Stanley Donen, 1960)
Chinatown (Roman Polanski, 1974)
Brad Pitt (l.) und Edward
Norton in Fight Club (20th Century Fox)
Apocalypse
Now (Francis
Ford Coppola, 1979)
Une chambre en ville (Jacques Demy, 1982)
Les nuits de la pleine lune (Eric Rohmer; 1984)
Full Metal Jacket (Stanley Kubrick, 1987)
Miller's Crossing (Joel Coen, 1990)
Husbands and Wives (Woody Allen, 1992)
Carlito's Way (Brian de Palma, 1993)
Chongqing Senlin (Won Kar-wai, 1994)
Heat (Michael Mann, 1995)
Hana-bi (Takeshi Kitano, 1997)
The Last Days of Disco (Whit Stillman, 1998)
The Thin Red Line (Terrence Malick, 1998)
Fight Club (David Fincher, 1999)
Wu hu zang lung (Ang Lee, 2000)
Love Me (Laetitia Masson, 2000)
Christian Lukas
Eine Liste wie diese, sie kann niemals
wirklich
vollständig sein. Viele Filme haben im Laufe der Zeit bestimmte
Gefühle
beim
Anschauen geweckt. Doch gibt es so etwas wie eine Konstante? Filme, die
ich vor
zehn Jahren noch verschmäht habe, erscheinen heute, beim erneuten
Anschauen,
plötzlich als kleine Meisterwerke. Andere Filme, die ich einst
geliebt
habe,
erzeugen heute nur mehr ein Gähnen. Eine 30er Liste ist daher
niemals
ein in
Stein gemeißeltes Gesetz, sondern kaum mehr als eine
Momentaufnahme.
Ohne
Anspruch auf Vollständigkeit, geschrieben aus dem Gefühl...
Alphabetische
Reihenfolge
A Fish Called Wanda (Charles Crichton,
1987)
Aliens (James Cameron,
1986)
Arsenic and Old Lace (Frank Capra,
1941)
Ben Hur
(William Wyler, 1959)
Braveheart
(Mel Gibson, 1994)
Die Hard (John McTiernan,
1988)
Escape From New York (John Carpenter,
1981)
The Fog (John Carpenter;
1980)
Frankenstein (James
Whale, 1931)
The Great Escape (John Sturges,
1963)
Halloween (John Carpenter,
1978)
Heat
(Michael Mann, 1995)
Inferno (Dario Argento, 1980)
The Invisible Man (James Whale, 1933)
Arnold
Schwarzenegger in The Terminator (MGM)
The Last of the Mohicans (Michael
Mann,1992)
Lethal Weapon
(Richard Donner, 1987)
Manhunter
(Michael Mann, 1986)
Matrix (The Wachowski
Brothers, 1999)
Los sin nombre (Jaume Balagueró; 1999)
Nightmare on Elm Street (Wes Craven, 1984)
Nachts, wenn der Teufel kam (Robert Siodmak; 1957)
Phantasm (Don
Coscarelli,
1977)
Point Break (Kathryn Bigelow;
1991)
Robocop (Paul Verhoeven,
1987)
Spiderman (Sam Raimi, 2002)
The Suspect (Robert Siodmak,
1944)
The Terminator (James Cameron,
1984)
The Thing (John Carpenter,
1982)
Ralf Möller
Chronologische Folge
The Wedding March (Erich von Stroheim, 1928)
The Wizard of Oz (Victor Flemming;
1939)
Easter
Parade (Charles
Walters; 1948)
The
Fountainhead
(King Vidor; 1949)
Winchester
73
(Anthony Mann; 1950)
Captain
Horatio Hornblower
(Raoul Walsh; 1951)
Ludwig II (Helmut Käutner; 1954)
The
Long Grey Line
(John Ford; 1955)
Some
Came Running
(Vincente Minnelli; 1958)
Vertigo (Alfred Hitchcock;
1958)
Hatari! (Howard Hawks;
1962)
Lawrence
of Arabia (David
Lean; 1962)
Scorpio
Rising (Kenneth
Anger; 1964)
The
Wild Bunch (Sam
Peckinpah; 1969)
Two-Lane
Blacktop (Monte
Hellman; 1971)
Harrison Ford in Blade
Runner (Warner Bros.)
C’était
un rendevouz
(Claude Lelouch; 1976)
Apocalypse
Now
(Francis Ford Coppola; 1979)
American
Gigolo (Paul
Schrader; 1980)
The
Fog
(John Carpenter; 1980)
Blow
Out
(Brian De Palma; 1981)
The
Road Warrior
(George Miller; 1981)
Blade
Runner (Ridley
Scott; 1982)
Year
of the Dragon
(Michael Cimino; 1985)
Aliens (James Cameron; 1986)
The
Fabulous Baker Boys (Steve Kloves; 1989)
Last
Boy Scout (Tony
Scott; 1991)
Point
Break (Kathryn
Bigelow; 1991)
Fight
Club
(David Fincher; 1999)
The Insider (Michael Mann, 1999)
A.I. (Steven Spielberg; 2001)
Chronologische Folge
Trouble
in Paradise
(Ernst Lubitsch; 1932)
Shadow
of a Doubt
(Alfred Hitchcock; 1943)
Duel
in the Sun (King
Vidor; 1946)
Dark
Passage (Delmer
Daves; 1947)
Portrait
of Jenny
(William Dieterle; 1948)
Roman
Holiday (William
Wyler; 1953)
Ascenseur
pour l’échafaud
(Louis Malle, 1958)
The
Innocents (Jack
Clayton; 1961)
Baisers
Volés
(Francois
Truffaut; 1968)
Les
Choses de la vie
(Claude Sautet; 1970)
High
Plains Drifter / Pale Rider / The Bridges of Madison County (Clint Eastwood; 1973, 1985,
1995)
Jaws (Steven Spielberg; 1975)
Marathon Man (John Schlesinger; 1976)
Halloween (John Carpenter; 1978)
Der Zauberberg (Hans. W. Geißendörfer; 1982)
Tom Cruise in Jerry Maguire (Sony Pictures)
The
Year of Living Dangerously (Peter Weir; 1982)
Les
Spécialistes
(Patrice Leconte; 1985)
Back
to the Future
(Robert Zemeckis; 1985)
Dangerous Liaison (Stephan Frears, 1988)
Tucker:
The Man and his Dream (Francis Ford Coppola;
1988)
Die Katze (Dominik Graf; 1988)
Die
xue shuang xiong
(John Woo; 1989)
"Die
erste wahre Liebe"-Trilogie / "First true love" - Trilogy
Say
Anything / Jerry Maguire / Almost Famous
(Cameron Crowe; 1989, 1996, 2000)
State
of Grace (Phil
Joanou; 1990)
Terminator
2: Judgment Day
(James Cameron; 1991)
Point
Break (Kathryn
Bigelow; 1991)
The
Last Boy Scout
(Tony Scott; 1991)
Husbands and Wives (Woody Allen, 1992)
The Insider (Michael Mann; 1999)
Fa
yeung nin wa (Wong Kar-wai; 2000)
Andreas Staben
Chronologische Ordnung
Coeur
fidèle
(Jean Epstein; 1923)
Seventh
Heaven (Frank
Borzage; 1927)
Design
for Living
(Ernst Lubitsch; 1933)
Une partie
de campagne (Jean
Renoir; 1936)
Le roman d'un
tricheur (Sacha
Guitry; 1936)
Lost
Horizon (Frank
Capra; 1937)
Young
Mr. Lincoln
(John Ford; 1939)
The
Miracle of Morgan's Creek (Preston Sturges; 1944)
I
Know Where I'm Going (Michael Powell & Emeric Pressburger; 1945)
Film ohne Titel (Rudolf Jugert; 1948)
Letter
from an Unknown Woman (Max Ophüls; 1948)
The
Fountainhead
(King Vidor; 1949)
Captain
Horatio Hornblower
(Raoul Walsh; 1951)
Singin'
in the Rain
(Stanley Donen & Gene Kelly; 1952)
Tokyo
monogatari (Yasujiro
Ozu; 1953)
Henry
Thomas (l.) und E.T.
in E.T.
the Extra-Terrestrial (Universal)
Viaggio in
Italia (Roberto
Rosselini; 1953)
The
Barefoot Contessa
(Joseph L. Mankiewicz; 1954)
Written
on the Wind
(Douglas Sirk; 1956)
Some
Came Running
(Vincente Minnelli; 1958)
Vertigo (Alfred Hitchcock;
1958)
Antoine et
Colette
(Francois Truffaut; 1962)
Man's
Favorite Sport
(Howard Hawks; 1964)
Les
parapluies de Cherbourg (Jacques Demy; 1964)
Le chagrin
et la pitié
(Marcel
Ophüls; 1971)
The
Parallax View
(Alan J. Pakula; 1974)
E.T.
the Extra-Terrestrial (Steven Spielberg; 1982)
Les nuits
de la pleine lune
(Eric Rohmer; 1984)
Casualties
of War (Brian de
Palma; 1989)
Les roseaux
sauvages
(André
Téchiné; 1994)
A vendre (Laetitia Masson; 1999)
Sascha
Westphal
Chronologische
Ordnung
Gösta
Berlings saga (Mauritz
Stiller; 1924)
Seventh Heaven (Frank Borzage; 1927)
Four Sons (John Ford; 1928)
Mad Love
(Karl Freund; 1935)
Hotel
Sacher
(Erich Engel; 1939)
The Seventh Victim (Mark Robson;
1943)
A Canterbury Tale (Michael Powell
& Emeric Pressburger; 1944)
Madonna of the Seven Moons (Arthur Crabtree;
1944)
Opfergang
(Veit Harlan; 1944)
Scarlet Street (Fritz Lang; 1945)
The Southerner (Jean Renoir;
1945)
Pursued (Raoul Walsh;
1947)
The Great Sinner (Robert Siodmak;
1948/49)
The Fountainhead (King Vidor; 1949)
The Lusty Men (Nicholas Ray;
1952)
Dennis
Price (l.) und Eric Portmann in A
Canterbury Tale (The Archers)
Angst (Roberto
Rossellini; 1954)
Das
Bekenntnis der Ina Kahr (Georg
Wilhelm Pabst; 1954)
Ordet (Carl Theodor
Dreyer; 1955)
Shoshun / Early Spring (Yasurijo Ozu;
1956)
Some Came Running (Vincente
Minnelli; 1958)
Vertigo (Alfred Hitchcock;
1958)
Les parapluies de Cherbourg (Jacques Demy; 1964)
Catch Us If You Can (John Boorman;
1965)
Masculin, féminin: 15 faits
précis
(Jean-Luc Godard; 1966)
Daisy
Miller (Peter
Bogdanovich; 1974)
In
einem Jahr mit 13 Monden (Rainer
Werner Fassbinder; 1978)
The
Sicilian (Michael
Cimino; 1987)
À
vendre (Laetitia
Masson; 1998)
Femme
Fatale (Brian De
Palma; 2002)
Histoire
de Marie et Julien
(Jacques Rivette; 2003)