John Demetry

Notes:
One film per director.
* - Signifies one of the Ten Best of the 1990s
** - My fave
*The Godfather Part III (Francis Ford Coppola, 1990)
*Nouvelle Vague (Jean-Luc Godard, 1990)
Texasville (Peter Bogdanovich, 1990)
Where the Heart Is (John Boorman, 1990)
Chameleon Street (Wendell B. Harris, 1991)
Raising Cain (Brian De Palma, 1992)
Geronimo: An American Legend (Walter Hill, 1993)
*The Long Day Closes (Terence Davies, 1993)
Naked (Mike Leigh, 1993)
*Short Cuts (Robert Altman, 1993)
* Dung che sai duk (Wong Kar-Wai, 1994)


Charles Berling  & Jean-Louis Trintignant in Ceux qui m’aiment prendront le train (Artificial Eye)

*Little Buddha (Bernardo Bertolucci, 1994)
Conte d'hiver (Eric Rohmer; 1992)
* Les roseaux sauvages (André Téchiné; 1995)
Carne trémula (Pedro Almadovar, 1996)
Feng yue (Chen Kaige; 1996)
Afterglow (Alan Rudolph, 1997)
*Amistad (Steven Spielberg, 1997)
Nun va Goldoon (Mohsen Makhmalbaf, 1997)
*Beloved (Jonathan Demme, 1998)
The Last Days of Disco (Whit Stillman, 1998)
** Ceux qui m’aiment prendront le train (Patrice Chéreau; 1998)
(chronologische Reihenfolge)

Eckhard Haschen

The Age of Innocence (Martin Scorsese; 1993)
Bad Lieutenant (Abel Ferrara; 1992)
Besieged (Bernardo Bertolucci; 1998)
Carlito’s Way (Brian de Palma; 1993)
Chongqing Senlin (Wong Kar-wai; 1994)
Conte d'hiver (Eric Rohmer; 1992)
Eye of the Beholder (Stephan Elliot; 1999)
Eyes Wide Shut (Stanley Kubrick; 1999)
Feng yue (Chen Kaige; 1996)
Guling jie shaonian sha ren shijian (Edward Yang;1991)
Heat (Michael Mann; 1995)


Al Pacino in Heat (Warner)    

High Art (Lisa Cholodenko; 1998)
Liebestraum (Mike Figgis; 1991)
Lost Highway (David Lynch; 1996)
Midnight in the Garden of Good and Evil (Clint Eastwood; 1997)
Les roseaux sauvages (André Téchiné; 1995)
Secret défense (Jacques Rivette; 1998)
Shattered Image (Raúl Ruiz; 1998)
A Soldier's Daughter Never Cries (James Ivory; 1998)
Spieler (Dominik Graf; 1990)
À vendre (Laetitia Masson; 1998)
Your Friends & Neighbors (Neil LaBute; 1998)

Thomas Klarmeyer

In Love and War (Richard Attenborough; 1996)
Endless Summer II (Bruce Brown, 1993)
M.Butterfly (David Cronenberg; 1993)
Snake Eyes (Brian de Palma; 1998)
Midnight in the Garden of Good and Evil (Clint Eastwood; 1997)
Liebestraum (Mike Figgis; 1991)
Jade (William Friedkin; 1995)
The Devil’s Advocate (Taylor Hackford; 1997)
Croupier (Mike Hodges / Paul Mayersberg;1998 )
The Ghost and the Darkness (Stephen Hopkins;1996 )
Dazed and Confused (Richard Linklater; 1993)


Nicholas Cage und Gerry Sinise in Snake Eyes (Touchstone)

Twin Peaks: Fire Walk With Me (David Lynch, 1992)
Heat (Michael Mann; 1995)
Havana (Sydney Pollack; 1990)
La Mujer del puerto (Arturo Ripstein; 1991)
Light Sleeper (Paul Schrader; 1991)
Revenge (Tony Scott; 1990)
Poison Ivy (Katt Shea; 1992)
Das Geheimnis (Rudolf Thome; 1995)
De sueur et du sang (Paul Vecchiali; 1994)
Showgirls (Paul Verhoeven; 1995)
The Siege (Edward Zwick; 1998)

(alphabetische Reihenfolge der Regisseure)

Michael Kohler

The Insider (Michael Mann; 1999)
À vendre (Laetitia Masson; 1998)
Last Days of Disco (Whit Stillman; 1998)
A Perfect World (Clint Eastwood; 1993)
The Winslow Boy (David Mamet; 1999)
Carlito’s Way (Brian de Palma; 1993)
Nobody's Fool (Robert Benton; 1994)
Happiness (Todd Solondz; 1998)
Contact (Robert Zemeckis; 1997)
La fille seule (Benoit Jacquot; 1995)
Rushmore (Wes Anderson; 1998)

Jason Schwartzman in Rushmore (Buena Vista)

Kingpin (Bobby and Peter Farrelly; 1996)
Fearless (Peter Weir; 1993)
Bullets over Broadway (Woody Allen; 1993)
The Thin Red Line (Terrence Malick; 1999)
Sonatine (Takeshi Kitano; 1993)
Jerry Maguire (Cameron Crowe; 1997)
The Muse (Albert Brooks; 1999)
The Two Jakes (Jack Nicholson; 1991)
Chongqing Senlin (Won Kar-wai; 1994)
Dazed and Confused (Richard Linklater; 1993)
The New Age (Michael Tolkin; 1994)
(ungeordnete Reihenfolge)

Ralf Möller

Light Sleeper (Paul Schrader; 1991)
The Two Jakes (Jack Nicholson; 1991)
La belle noiseuse (Jacques Rivette; 1992)
Raising Cain (Brian De Palma; 1992)
Un cœur en hiver (Claude Sautet 1992)
A Perfect World (Clint Eastwood; 1993)
Endless Summer II (Bruce Brown, 1993)
Geronimo: An American Legend (Walter Hill, 1993)
Killing Zoe (Roger Avery; 1994)
Legends of the Fall (Edward Zwick; 1994)
Mary Shelly’s Frankenstein / Hamlet (Kenneth Branagh; 1994 / 1996)


Anthony Hopkins in Nixon (Buena Vista)

Before Sunrise (Richard Linklater; 1995)
Tank Girl (Rachel Talalay; 1995)
Crash (David Cronenberg; 1996)
Latex (Michael Ninn, 1996)
Nixon (Oliver Stone; 1996)
Jerry Maguire (Cameron Crowe; 1997)
High Art (Lisa Cholodenko; 1998)
Starship Troopers (Paul Verhoeven; 1998)
Cruel Intentions (Roger Kumble; 1999)
Les amants criminels (Francois Ozon; 1999)
The Thin Red Line (Terrence Malick, 1999)
(chronologische Reihenfolge)

The Rookie (Clint Eastwood; 1990)
Love at Large (Alan Rudolph; 1990)
Texasville (Peter Bogdanovich; 1990)
The Fisher King (Terry Gilliam; 1991)
Dead Again (Kenneth Branagh; 1991)
Cape Fear (Martin Scorsese; 1991)
Alien³ (David Fincher; 1992)
Basic Instinct (Paul Verhoeven; 1992)
Bitter Moon (Roman Polanski; 1992)
Sommersby (Jon Amiel; 1993)
Interview with the Vampire / The End of the Affair (Neil Jordan; 1994, 1999)


Ralph Fiennes u. Angela Bassett in Strange Days (20th Fox)

The Quick and the Dead (Sam Raimi; 1994)
Leon (Luc Besson; 1994)
Trois couleurs: rouge (Krzysztof Kieslowski; 1994)
Nelly et Monsieur Arnaud (Claude Sautet; 1995)
Strange Days (Kathryn Bigelow; 1995)
Mission Impossible (Brian De Palma; 1996)
One Night Stand (Mike Figgis; 1997)
Soldier (Paul W.S. Anderson; 1998)
Secret défense (Jaques Rivette; 1998)
The Lost Son (Chris Menges; 1999)
La fille sur le pont (Patrice Leconte; 1999)

Andreas Staben

The Age of Innocence (Martin Scorsese; 1993)
Amistad (Steven Spielberg; 1997)
Beyond Rangoon (John Boorman; 1995)
The Bridges of Madison County (Clint Eastwood; 1995)
Carlito's Way (Brian de Palma; 1993)
Chinese Box (Wayne Wang; 1997)
Contact (Robert Zemeckis; 1997)
Contes des quatre saisons (Eric Rohmer; 1990-1998)
En avoir (ou pas) (Laetitia Masson; 1995)
Eyes Wide Shut (Stanley Kubrick; 1999)
Fin août, début septembre (Olivier Assayas; 1998)


Ben Chaplin in The Thin Red Line (20th Fox)

Husbands and Wives (Woody Allen; 1992)
The Insider (Michael Mann; 1999)
JFK (Oliver Stone; 1991)
Meet Joe Black (Martin Brest; 1998)
Les patriotes (Eric Rochant; 1994)
The Pelican Brief (Alan J. Pakula; 1993)
Snow Falling on Cedars (Scott Hicks; 1999)
Le temps retrouvé (Raoul Ruiz; 1999)
The Thin Red Line (Terrence Malick; 1998)
The Thing Called Love (Peter Bogdanovich; 1993)
Van Gogh (Maurice Pialat; 1992)

Sascha Westphal

Spieler (Dominik Graf; 1990)
Texasville (Peter Bogdanovich; 1990)
Where the Heart Is (John Boorman; 1990)
La note bleue (Andrzej Zulawski; 1991)
Bitter Moon (Roman Polanski; 1992)
Carlito’s Way (Brian de Palma; 1993)
Vale Abraão (Manoel de Oliveira; 1993)
Trois couleurs: rouge (Krzysztof Kieslowski; 1994)
En avoir [ou pas] (Laetitia Masson; 1995)
Les roseaux sauvages (André Téchiné; 1995)
Feng yue (Chen Kaige; 1996)


Morgan Freeman in Amistad (UIP)

Amistad (Steven Spielberg; 1997)
Cheun gwong tsa sit (Wong Kar Wai; 1997)
Tigerstreifenbaby wartet auf Tarzan (Rudolf Thome; 1997)
Besieged (Bernardo Bertolucci; 1998)
Ceux qui m’aiment prendront le train (Patrice Chéreau; 1998)
Plätze in Städten (Angela Schanelec; 1998)
Secret défense (Jacques Rivette; 1998)
As Bodas de Deus (João César Monteiro; 1999)
The End of the Affair (Neil Jordan; 1999)
Eyes Wide Shut (Stanley Kubrick; 1999)
Pola X

(chronologische Reihenfolge)